These seven provisos enable Armstrong to apply his otherwise obscure definition to all works of art, be it a cave portray or Damien Hirst’s embalmed shark. There are too many shifting parts in his argument, and so his act of reverse engineering fails when held up to scrutiny. Artistic intent, for one, is completely discounted. The actual value of Armstrong’s essay is much less in defining what he thinks artwork is, but somewhat what he perceives as artwork’s worth, i.e., remedy.
Additionally, important principle allows the examination of particular aspects of those practices, similar to the nature of representation, creative authority and voice. The seven components of artwork are line, form, house, value, form, texture, and colour. These parts are the constructing blocks, or components, of artwork. A line is a mark made on a floor. A form is a flat space of enclosed area.
O Outsider artwork
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