the artwork precept of de Still which represented kind as horizontal and vertical strains and which excluded all colors except the primaries, black, and white. the practice of reviving Hellenism in modern art or life. — Neo-Hellenistic, adj. an overemphasis on any distinctive strategy of expression, occurring when the way of expression obscures the feeling or idea expressed within the work of art; thought of by many artwork critics to be an indication of decadence. a movement in the late 19th century in French painting, characterised by the goal of reproducing an impression of a subject by use of reflected light and color and the blurring of outlines. a movement in twentieth-century portray by which several planes of an object within the type of cubes or other solids are presented in an arbitrary arrangement using a slim vary of colours or monochrome. an artist who uses colour or who’s distinguished by the way by which he uses colour.

a late nineteenth-century response to Impressionism, emphasizing on one hand the emotional facet of painting and on the other a return to formal structure; the first led to Expressionism; the second, to Cubism. — Post-Impressionist, n. the artwork of using many or varied colors in painting, architecture, and so on. — polychromie, polychromatic, adj. — polychromatist, n. a short-lived improvement of Cubism c.1912 that attempted to enliven the original method by subordinating the geometrical types and utilizing unmixed shiny colours. a painting of a night scene, a style particularly favored by Whistler. … Read More