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But Oborne says there are more existential causes behind the 1975’s determination to release two albums in quick succession. He says he and the band’s frontman Matt Healy have the sensation that “we’re kind of operating out of time. I would put a few of that all the way down to the shape the world is in, how scary it’s.” He says assembly and collaborating with the environmental activist Greta Thunberg and her household this 12 months injected the band with a sense of urgency to maneuver as shortly as potential to “use Matthew’s platform in a conscientious means”. If you’re writing about topical points – Healy’s songs reference the local weather disaster, politicians, even viral tweets – the material is best launched quickly.
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A double album was out of the question. “A lot of the songs would get lost,” Krivchenia says. The band decided to record the albums in two “distinct, but comparable processes”, making UFOF close to Seattle, then heading into the desert a number of days later for Two Hands, and recording every one on completely different sorts of tape.